“Catedral”, plant & mineral pigment on canvas, 50×80cm, 2025
This painting evokes the feeling of stepping into a living sanctuary—an inner cathedral formed not of stone, but of memory, light. Flowing lines curve like trees bending toward one another, creating an arch that feels both natural and sacred. Within this luminous chamber stand four human-like figures, their outlines softened into pure essence. They appear suspended between worlds, radiating a quiet unity.
At the apex of the composition, a single glowing shape pours light downward, as though an unseen eye or higher consciousness is gently illuminating the scene. This descent of gold suggests guidance, awakening, or the ancestral energy that flows through generations. It touches the central figures and spreads outward in warm tones, forming a cradle of connection.
The figures themselves may be read as a family, as ancestors, or as aspects of the inner self gathered in a moment of profound clarity. Their translucence hints at the porous boundary between past and present, body and spirit, individuality and collective belonging. They stand still at the center of swirling, rhythmic lines, embodying the calm that emerges when one returns to the core of being.
The painting invites the viewer to sense a journey inward—toward remembrance, integration, and quiet illumination. It is both a sanctuary and a threshold, a space where the visible and the invisible meet in harmony.
“Catedral”, plant & mineral pigment on canvas, 50×80cm, 2025
This painting evokes the feeling of stepping into a living sanctuary—an inner cathedral formed not of stone, but of memory, light. Flowing lines curve like trees bending toward one another, creating an arch that feels both natural and sacred. Within this luminous chamber stand four human-like figures, their outlines softened into pure essence. They appear suspended between worlds, radiating a quiet unity.
At the apex of the composition, a single glowing shape pours light downward, as though an unseen eye or higher consciousness is gently illuminating the scene. This descent of gold suggests guidance, awakening, or the ancestral energy that flows through generations. It touches the central figures and spreads outward in warm tones, forming a cradle of connection.
The figures themselves may be read as a family, as ancestors, or as aspects of the inner self gathered in a moment of profound clarity. Their translucence hints at the porous boundary between past and present, body and spirit, individuality and collective belonging. They stand still at the center of swirling, rhythmic lines, embodying the calm that emerges when one returns to the core of being.
The painting invites the viewer to sense a journey inward—toward remembrance, integration, and quiet illumination. It is both a sanctuary and a threshold, a space where the visible and the invisible meet in harmony.
